Matt W. Kane

Mastery

Robert Greene

Introduction

The Ultimate Power

            Let us call this sensation mastery – the feeling that we have a greater command of reality, other people, and ourselves. Although it might be something we experience for only a short while, for others – Masters of their field – it becomes their way of life, their way of seeing the world. (Such Masters include Leonadro da Vinci, Napoleon Bonaparte, Charles Darwin, Thomas Edison, and Martha Graham, among many others.) And at the root of this power is a simple process that leads to mastery – one that is accessible to all of us.

Keys to Mastery

            With those who stand out by their later mastery, they experience this inclination more deeply and clearly than others. They experience it as an inner calling. It tends to dominate their thoughts and dreams. They find their way, by accident or sheer effort, to a career path in which this inclination can flourish. This intense connection and desire allows them to withstand the pain of the process – the self-doubts, the tedious hours of practice and study, the inevitable setbacks, the endless barbs ;from the envious. They develop a resiliency and confidence that others lack.

            In our culture we tend to equate thinking and intellectual powers with success and achievement. In many ways, however, it is an emotional quality that separates those who master a field from the many who simply work at a job. Our levels of desire, patience, persistence, and confidence end up playing a much larger role in success than sheer reasoning powers. Feeling motivated and energized, we can overcome almost anything. Feeling bored and restless, our minds shut off and we become increasingly passive.

            Second, you must convince yourself of the following: people get the mind and quality of brain that they deserve through their actions in life.

Chapter 1: Discover Your Calling: The Life’s Task

Keys to Mastery

Let us state it in the following way: At your birth a seed is planted. The seed is your uniqueness. It wants to grow, transform itself, and flower to its full potential. It has a natural, assertive energy to it. Your Life’s Task is to bring that seed to flower, to express your uniqueness through your work. You have a destiny to fulfill. The stronger you feel and maintain it – as a force, a voice, or in whatever form – the greater your chance for fulfilling this Life’s Task and achieving mastery.

What weakens this force, what makes you not feel it or even doubt its existence, is the degree to which you have succumbed to another force in life – social pressures to conform. This counterforce can be very powerful. You want to fit into a group. Unconsciously, you might feel that what makes you different is embarrassing or painful. Your parents often act as a counterforce as well. They may seek to direct you to a career path that is lucrative and comfortable. If these counterforces become strong enough, you can lose complete contact with your uniqueness, with who you really are. Your inclinations and desires become modeled on those of others.

At all cost you must avoid such a fate. The process of following your Life’s Task all the way to mastery can essentially begin at any point in life. The hidden force within you is always there and ready to be engaged.

The process of realizing your Life’s Task comes in three stages: First, you must connect or reconnect with your inclinations, that sense of uniqueness. The first step then is always inward. You search the past for signs of that inner voice or force. You clear away the other voices that might confuse you – parents and peers. You look for an underlying pattern, a core to your character that you must understand as deeply as possible.

Second, with this connection established, you must look at the career path you are already on or are about to begin. The choice of this path – or redirection of it – is critical. To help in this stage you will need to enlarge your concept of work itself. Too often we make a separation in our lives – there is work and there is life outside work, where we find real pleasure and fulfillment. Work is often seen as a means for making money so we can enjoy that second life that we lead. Even if we derive some satisfaction from our careers we still tend to compartmentalize our lives in this way. This is a depressing attitude, because in the end we spend a substantial part of our waking life at work. If we experience this time as something to get through on the way to real pleasure, then our hours at work represent a tragic waste of the short time we have to live.

Instead you want to see your work as something more inspiring, as part of your vocation. The word “vocation” comes from the Latin meaning to call or to be called. Its use in relation to work began in early Christianity – certain people were called to a life in the church; that was their vocation. They could recognize this literally by hearing a voice from God, who had chosen them for this profession. Over time, the word became secularized, referring to any work or study that a person felt was suited to his or her interests, particularly a manual craft. It is time, however, that we return to the original meaning of the word, for it comes much closer to the idea of a Life’s Task and mastery.

The voice in this case that is calling you is not necessarily coming from God, but from deep within. It emanates from your individuality. It tells you which activities suit your character. And at a certain point, it calls you to a particular form of work or career. Your work then in something connected deeply to who you are, not a separate compartment in your life. You develop then a sense of your vocation.

Finally, you must see your career or vocational path more as a journey with twists and turns rather than a straight line. You begin by choosing a field or position that roughly corresponds to your inclinations. This initial position offers you room to maneuver and important skills to learn. You don’t want to start with something too lofty, too ambitious – you need to make a living and establish some confidence. Once on this path you discover certain side routes that attract you, while other aspects of this field leave you cold. You adjust and perhaps move to a related field, continuing to learn more about yourself, but always expanding off your skill base. Like Leonardo, you take what you do for others and make it your own.

Eventually, you will hit upon a particular field, niche, or opportunity that suits you perfectly. You will recognize it when you find it because it will spark that childlike sense of wonder and excitement; it will feel right. Once found, everything will fall into place. You will learn more quickly and more deeply. Your skill level will reach a point where you will be able to claim your independence from within the group you work for and move out on your own. In a world in which there is so much we cannot control, this will bring you the ultimate form of power. You will determine your circumstances. As your own Master, you will no longer be subject to the whims of tyrannical bosses or scheming peers.

Think of it this way: What we lack most in the modern world is a sense of a larger purpose to our lives.

Some 2,600 years ago the ancient Greek poet Pindar wrote, “Become who you are by learning who you are.” What he meant is the following: You are born with a particular makeup and tendencies that mark you as a piece of fate. It is who you are to the core. Some people never become who they are; they stop trusting in themselves; they conform to the tastes of others, and they end up wearing a mask that hides their tru nature. If you allow yourself to learn who you really are by paying attention to that voice and force within you, then you can become what you were fated to become – an individual, a Master.

Strategies for Finding Your Life’s Task

            The career world is like an ecological system: People occupy particular fields within which they must compete for resources and survival. The more people there are crowded into a space, the harder it becomes to thrive there. Working in such a field will tend to wear you out as you struggle to get attention, to play the political games, to win scarce resources for yourself. You spend so much time at these games that you have little time left over for true mastery. You are seduced into such fields because you see others there making a living, treading the familiar path. You are not aware of how difficult such a life can be.

            The game you want to play is different: to instead find a niche in the ecology that you can dominate. It is never a simple process to find such a niche. It requires patience and a particular strategy. In the beginning you choose a field that roughly corresponds to your interests (medicine, electrical engineering). From there you can go in one of two directions. The first is the Ramachandran path. From within your chosen field, you look for side paths that particularly attract you (in his case the science of perception and optics). When it is possible, you make a move to this narrower field. You continue this process until you eventually hit upon a totally unoccupied niche, the narrower the better. In some ways, this niche corresponds to your uniqueness, much as Ramachandran’s particular form of neurology corresponds to his own primal sense of feeling like an exception.

            The second is the Matsuoka path. Once you have mastered your first field (robotics), you look for other subjects or skills that you can conquer (neuroscience), on your own time if necessary. You can now combine this added field of knowledge to the original one, perhaps creating a new field, or at least making novel connections between them. You continue this process as long as you wish – in Matsuoka’s case, she never stops expanding. Ultimately you create a field that is uniquely your own. This second version fits in well with a culture where information is so widely available, and in which connecting ideas is a form of power.

            In either direction, you have found a niche that is not crowded with competitors. You have freedom to roam, to pursue particular questions that interest you. Unburdened by overwhelming competition and politicking, you have time and space to bring to flower your Life’s Task.

            You cannot have everything in the present. The road to mastery requires patience. You will have to keep your focus on five or ten years down the road, when you will reap the rewards of your efforts.

Chapter 2: Submit to Reality: The Ideal Apprenticeship

Keys to Mastery

            One can have no smaller or greater mastery than mastery of oneself. -Leonardo da Vinci

            In the stories of the greatest Masters, past and present, we can inevitably detect a phase in their lives in which all of their future powers were in development, like the chrysalis of a butterfly. This part of their lives – a largely self-directed apprenticeship that lasts some five to ten years – receives little attention because it does not contain stories of great achievement or discovery. Often in their Apprenticeship Phase, these types are not yet much different from anyone else. Under the surface, however, their minds are transforming in ways we cannot see but contain all of the seeds of their future success.

            The principle is simple and must be engraved deeply in your mind: the goal of an apprenticeship is not money, a good position, a title, or a diploma, but rather the transformation of your mind and character – the first transformation on the way to mastery.

            This has a simple consequence: you must choose places of work and positions that offer the greatest possibilities for learning. Practical knowledge is the ultimate commodity, and is what will pay you dividends for decades to come – far more than the paltry increase in pay you might receive at some seemingly lucrative position that offers fewer learning opportunities. This means that you move toward challenges that will toughen and improve you, where you will get the most objective feedback on your performance and progress. You do not choose apprenticeships that seem easy and comfortable.

The Apprenticeship Phase – The Three Steps or Modes

            With the principle outlined above guiding you in your choices, you must think of three essential steps in your apprenticeship, each one overlapping the other. These steps are: Deep Observation (The Passive Mode), Skills Acquisition (The Practice Mode), and Experimentation (The Active Mode).

Step Two: Skills Acquisition – The Practice Mode

            This system arose as a solution to a problem: As business expanded in the Middle Ages, Masters of various crafts could no longer depend on family members to work in the shop. They needed more hands. But it was not worth it for them to bring in people who would come and go – they needed stability and time to build up skills in their workers. And so they developed the apprenticeship system, in which young people from approximately the ages of twelve to seventeen would enter work in a shop, signing a contract that would commit them for the term of seven years. At the end of this term, apprentices would have to pass a master test, or produce a master work, to prove their level of skill. Once passed, they were now elevated to the rank of journeymen and could travel wherever there was work, practicing the craft.

            This process of hardwiring cannot occur if you are constantly distracted, moving from one task to another. In such a case, the neural pathways dedicated to this skill never get established; what you learn is too tenuous to remain rooted in the brain. It is better to dedicate two or three hours of intense focus to a skill than to spend eight hours of diffused concentration on it. You want to be as immediately present to what you are doing as possible.

            Once an action becomes automatic, you now have the mental space to observe yourself as you practice. You must use this distance to take not of your weaknesses or flaws that need correction – to analyze yourself. It helps also to gain as much feedback as possible from others, to have standards against which you can measure your progress so that you are aware of how far you have to go. People who do not practice and learn new skills never gain a proper sense of proportion or self-criticism. They think they can achieve anything without effort and have little contact with reality. Trying something over and over again grounds you in reality, making you deeply aware of your inadequacies and of what you can accomplish with more work and effort.

Step Three: Experimentation – The Active Mode

            The future belongs to those who learn more skills and combine them in creative ways.

Keep Expanding Your Horizons

            The people in your field, in your immediate circle, are like worlds unto themselves – their stories and viewpoints will naturally expand your horizons and build up your social skills. Mingle with as many different types of people as possible. Those circles will slowly widen. Any kind of outside schooling will add to the dynamic. Be relentless in your pursuit for expansion. Whenever you feel like you are settling into some circle, force yourself to shake things up and look for new challenges, as Hurston did when she left Howard for Harlem. With you rm mind expanding, you will redefine the limits of your apparent world. Soon, ideas and opportunities will come to you and your apprenticeship will naturally complete itself.

Chapter 3: Absorb the Master’s Power: The Mentor Dynamic

Keys to Mastery

            The reason you require a mentor is simple: life is short; you have only so much time and so much energy to expend. Your most creative years are generally in your late twenties and on into your forties. You can learn what you need through books, your own practice, and occasional advice from others, but the process is hit-and-miss. The information in books is not tailored to your circumstances and individuality; it tends to be somewhat abstract. When you are young and have less experience of the world, this abstract knowledge is hard to put into practice. You can learn from your experiences, but it can often takes years to fully understand the meaning of what has happened. It is always possible to practice on your own, but you will not receive enough focused feedback. You can often gain a self-directed apprenticeship in many fields, but this could take ten years, maybe more.

             Mentors do not give you a shortcut, but they streamline the process. They invariably had their own great mentors, giving them a richer and deeper knowledge of their field. Their ensuing years of experience taught them invaluable lessons and strategies for learning. Their knowledge and experience become yours; they can direct you away from unnecessary side paths or errors. They observe you at work and provide real-time feedback, making your practice more time efficient. Their advice is tailored to your circumstances and your needs. Working closely with them, you absorb the essence of their creative spirit, which you can now adapt in your own way. What took you ten years on your own could have been done in five with proper direction.

            There is more to this than just time saved. When we learn something in a concentrated manner it has added value. We experience fewer distractions. What we learn is internalized more deeply because of the intensity of our focus and practice. Our own ideas and development flourish more naturally in this shortened time frame. Having an efficient apprenticeship, we can make the most of our youthful energy and our creative potential.

2: Gaze Deep into the Mentor’s Mirror

            People are increasingly reluctant to tell each other the truth about themselves – their weaknesses, their inadequacies, flaws in their work.

            Masters are those who by nature have suffered to get to where they are. They have experienced endless criticisms of their work, doubts about their progress, setbacks along the way. They know deep in their bones what is required to get to the creative phase and beyond. As mentors, they alone can gauge the extent of our progress, the weaknesses in our character, the ordeals we must go through to advance. In this day and age, you must get the sharpest dose of reality that is possible from your mentor. You must go in search of it and welcome it. If possible, choose a mentor who is known for supplying this form of tough love. If they shy away from giving it, force them to hold up the mirror that will reflect you as you are. Get them to give you the proper challenges that will reveal your strengths and weaknesses and allow you to gain as much feedback as possible, no matter how hard it might be to take. Accustom yourself to criticism. COnfidence is important, but if it is not based on a realistic appraisal of who you are, it is mere grandiosity and smugness. Through the realistic feedback of your mentor you will eventually develop a confidence that is much more substantial and worth possessing.

Chapter 4: See People As They Are: Social Intelligence

Thinking Inside

            Determined to break this pattern and change his ways, he decided there was only one solution: in all of his future interactions with people, he would force himself to take an initial step backward and not get emotional. From this more detached position, he would focus completely on the people he was dealing with, cutting off his own insecurities and desires from the equation. Exercising his mind this way every time, it would turn into a habit. In imagining how this would work, he had a strange sensation. It reminded him of the process he went through in creating the Dogood letters – thinking inside the character he had created, entering her world, and making her come alive in his mind. In essence, he would be applying this literary skill to everyday life. Gaining position inside people’s minds, he could see how to melt their resistance or thwart their malevolent plans.

            To make this process foolproof, he decided he would also have to adopt a new philosophy: complete and radical acceptance of human nature. People possess ingrained qualities and characters. Some are frivolous like Keith, or vindictive like his brother, or rigid like the printers. There are people like this everywhere; it has been that way since the dawn of civilization. To get upset or try to alter them is futile – it will only make them bitter and resentful. Better to accept such people as one accepts the thorns on a rose. Better to observe and accumulate knowledge on human nature, as one accumulates knowledge in the sciences. If he could follow this new path in life, he would rid himself of his terrible naivete and bring some rationality to his social relations.

Keys to Mastery

            We think we understand people, but we are viewing them through a distorted lens. In this state, all of our empathic powers are rendered useless.

            With the inevitable mistakes we make, we become entangled in battles and dramas that consume our minds and distract us from learning. Our sense of priorities becomes warped – we end up giving far too much importance to social and political issues because we are not handling them well.

Specific Knowledge – Reading People

            To begin this process, you need to train yourself to pay less attention to the words people say and greater attention to their tone of voice, the look in their eye, their body language – all signals that might reveal a nervousness or excitement that is not expressed verbally. If you can get people to become emotional, they will reveal a lot more. Cutting off your interior monologue and paying deep attention, you will pick up on cues from them that will register with you as feelings or sensations. Trust these sensations – they are telling you something that you will often tend to ignore because it is not easy to verbalize. Later you can try to find a pattern to these signals and attempt to analyze what they mean.

            This intuitive form of reading people becomes more effective and accurate the more you use it, but it is best to combine it with other, more conscious forms of observation. For instance, you should take particular note of people’s actions and decisions. Your goal is to figure out the hidden motives behind them, which will often revolve around power. People will say all kinds of things about their motives and intentions; they are used to dressing things up with word. Their actions, however, say much more about their character, about what is going on underneath the surface. If they present a harmless front but have acted aggressively on several occasions, give the knowledge of that aggression much greater weight than the surface they present. In a similar vein, you should take special note of how people respond to stressful situations – often the mask they wear in public falls off in the heat of the moment.

            What you want is a picture of a person’s character over time, which will give you a far more accurate sense of their true character than any first impression could. So restrain yourself from the natural tendency to judge right away, and let the passing months reveal more and more about who people are, as you get better at reading them.

General Knowledge – The Seven Deadly Realities

            To develop your intellectual powers at the expense of the social is to retard your own progress to mastery, and limit the full range of your creative powers.

Strategies for Acquiring Social Intelligence
1: Speak through your work

            Understand: your work is the single greatest means at your disposal for expressing your social intelligence. By being efficient and detail oriented in what you do, you demonstrate that you are thinking of the group at large and advancing its cause. By making what you write or present clear and easy to follow, you show your care for the audience or public at large. By involving other people in your projects and gracefully accepting their feedback, you reveal your comfort with the group dynamic. Work that is solid also protects you from the political conniving and malevolence of others – it is hard to argue with the results you produce. If you are experiencing the pressures of political maneuvering within the group, dlo not lose your head and become consumed with all of the pettiness. By remaining focused and speaking socially through your work, you will both continue to raise your skill level and stand out among all the others who make a lot of noise but produce nothing.

2: Craft the appropriate persona

            It is not generally acknowledged or discussed, but the personality we project to the world plays a substantial role in our success and in our ascension to mastery.

            Understand: people will tend to judge you based on your outward appearance. If you are not careful and simply assume that it is best to be yourself, they will begin to ascribe to you all kinds of qualities that have little to do with who you are but correspond to what they want to see.

            You must see the creation of a persona as a key element in social intelligence, not something evil or demonic.

3: See yourself as others see you

            To see ourselves objectively, we must follow the example of Temple Grandin. We can begin this process by looking at negative events in our past – people sabotaging our work, bosses firing us for no logical reason, nasty personal battles with colleagues. It is best to start with events that are at least several months old, and thus not so emotionally charged. In dissecting these occurrences, we must focus on what we did that either triggered or worsened the dynamic. In looking at several such incidents, we might begin to see a pattern that indicates a particular flaw in our character.

4: Suffer fools gladly

            This attitude – “Suffer Fools Gladly” – should be forged into your Apprenticeship Phase, during which you are almost certainly going to encounter this type. If they are causing you trouble, you must neutralize the harm they do by keeping a steady eye on your goals and what is important, and ignoring them if you can. The height of wisdom, however, is to take this even further and to actually exploit their foolishness – using them for material for your work, as examples of things to avoid, or by looking for ways to turn their actions to your advantage. In this way, their foolishness plays into your hands, helping you achieve the kind of practical results they seem to disdain.

Chapter 5: Awaken the Dimensional Mind: The Creative-Active

            As you accumulate more skills and internalize the rules that govern your field, you mind will want to become more active, seeking to use this knowledge in ways that are more suited to your inclinations. What will impede this natural creative dynamic from flourishing is not a lack of talent, but your attitude. Feeling anxious and insecure, you will tend to turn conservative with your knowledge, preferring to fit into the group and sticking to the procedures you have learned. Instead, you must force yourself in the opposite direction. As you emerge from your apprenticeship, you must become increasingly bold. Instead of feeling complacent about what you know, you must expand your knowledge to related fields, giving your mind fuel to make new associations between different ideas. You must experiment and look at problems from all possible angles. As your thinking grows more fluid your mind will become increasingly dimensional, seeing more and more aspects of reality. In the end, you will turn against the very rules you have internalized, shaping and reforming them to suit your spirit. Such originality will bring you to the heights of power.

Keys to Mastery

            Understand: we all possess an inborn creative force that wants to become active. This is the gift of our Original Mind, which reveals such potential. The human mind is naturally creative, constantly looking to make associations and connections between things and ideas. It wants to explore, to discover new aspects of the world, and to invent. To express this creative force is our greatest desire, and the stifling of it the source of our misery. What kills the creative force is not age or lack of talent, but our own spirit, our own attitude. We become too comfortable with the knowledge we have gained in our apprenticeships. We grow afraid of entertaining new ideas and the effort that this requires. To think more flexibly entails a risk – we could fail and be ridiculed. We prefer to live with familiar ideas and habits of thinking, but we pay a steep price for this: our minds go dead from the lack of challenge and novelty; we reach a limit in our field and lose control over our fate because we become irreplaceable.

Step One: The Creative Task

            The task that you choose to work on must have an obsessive element. Like the Life’s Task, it must connect to something deep within you.

            Understand: it is the choice of where to direct his or her creative energy that makes the Master.

            This is The Primary Law of the Creative Dynamic that you must engrave deeply in your mind and never forget: your emotional commitment to what you are doing will be translated directly into your work.

Step Two: Creative Strategies
A. Cultivate Negative Capability

            To put Negative Capability into practice, you must develop the habit of suspending the need to judge everything that crosses your path. You consider and even momentarily entertain viewpoints opposite to your own, seeing how they feel. You observe a person or event for a length of time, deliberately holding yourself back from forming an opinion. You seek out what is unfamiliar – for instance,  reading books from unfamiliar writers in unfamiliar fields or from different schools of thought. You do anything to break up your normal train of thinking and yours sense that you already know the truth.

To negate the ego you must adopt a kind of humility toward knowledge.

B. Allow for Serendipity

Many of the most interesting and profound discoveries in science occur when the thinker is not concentrating directly on the problem but is about to drift off to sleep, or get on a bus, or hears a joke.

D. Alter Your Perspective

            Consider thinking as an extended form of vision that allows us to see more of the world, and creativity as the ability to expand that vision beyond conventional boundaries.

            Creative people are those who have the capacity to resist this shorthand. They can look at a phenomenon from several different angles, noticing something we miss because we only look straight on. Sometimes, after one of their discoveries or inventions is made public, we are surprised at how obvious it seems and wonder why no one else had thought of it before. This is because creative people are actually looking at what is hidden in plain sight, and not rushing to generalize and label.

Confirming paradigms and ignoring anomalies:

            In any field there are inevitable paradigms – accepted ways of explaining reality. This is necessary; without such paradigms we would not be able to make sense of the world. But sometimes these paradigms end up dominating our way of thinking. We routinely look for patterns in the world that confirm the paradigms we already believe in. The things that do not fit the paradigm – the anomalies – tend to be ignored or explained away. In truth, anomalies themselves contain the richest information. They often reveal to us the flaws in our paradigms and open up new ways of looking at the world. You must turn yourself into a detective, deliberately uncovering and looking at the very anomalies that people tend to disregard.

Fixating on what is present, ignoring what is absent:

            In the Arthur Conan Doyle story “Silver Blaze,” Sherlock Holmes solves a crime by paying attention to what did not happen – the family dog had not barked. This meant that the murder must have been someone the dog knew. What this story illustrates is how the average person does not generally pay attention to what we shall call negative cues, what should have happened but did not. It is our natural tendency to fixate on positive information, to notice only what we can see and hear. It takes a creative type such as Holmes to think more broadly and rigorously, pondering the missing information in an event, visualizing this absence as easily as we see the presence of something.

            In business, the natural tendency is to look at what is already out there in the marketplace and to think of how we can make it better or cheaper. The real trick – equivalent to seeing the negative cue – is to focus our attention on some need that is not currently being met, on what is absent. This requires more thinking and is harder to conceptualize, but the rewards can be immense if we hit upon this unfulfilled need. One interesting way to begin such a thought process is to look at new and available technology in the world and to imagine how it could be applied in a much different way, meeting a need that we sense sexists but that is not overly apparent. If the need is too obvious, others will already be working on it.

E: Revert to Primal Forms of Intelligence

            These examples are all related to the phenomenon of synesthesia – moments in which the stimulation of one sense provokes another. For instance, we hear a particular sound and it makes us think of a color. Studies have indicated that synesthesia is far more prevalent among artists and high level thinkers. Some have speculated that synesthesia represents a high degree of interconnectivity in the brain, which also plays a role in intelligence. Creative people do not simply think in words, but use all of their senses, their entire bodies in the process. They find sense cues that stimulate their thoughts on many levels – whether it be the smell of something strong, or the tactile feel of a rubber ball. What this means is that they are more open to alternative ways of thinking, creating, and sensing the world. They allow themselves a broader range of sense experience. You must expand as well your notion of thinking and creativity beyond the confines of words and intellectualizations. Stimulating your brain and senses from all directions will help unlock your natural creativity and help revive your original mind.

Emotional Pitfalls

Complacency:

            Fight this downhill tendency as much as you can by upholding the value of how mysterious the world remains.

Creativity is by its nature an act of boldness and rebellion. You are not accepting the status quo or conventional wisdom. You are playing with the very rules you have learned, experimenting and testing the boundaries.

Impatience:

            This is perhaps the single greatest pitfall of them all. This quality continually haunts you, no matter how disciplined you might think you are. You will convince yourself that work work is essentially over and well done, when really it is your impatience speaking and coloring your judgment. You tend to lose the energy you had when you were younger and hungrier. Unconsciously, the creative process requires continual intensity and vigor. Each exercise or problem or project is different. Hurrying to the end or warming up old ideas will ensure a mediocre result.

            Our culture increasingly tends to separate us from these realities in various ways. We indulge in drugs or alcohol, or engage in dangerous sports or risky behavior, just to wake ourselves up from the sleep of our daily existence and feel a heightened sense of connection to reality. In the end, however, the most satisfying and powerful way to feel this connection is through creative activity. Engaged in the creative process we feel more alive than ever, because we are making something and not merely consuming, Masters of the small reality we create. In doing this work, we are in fact creating ourselves.

Strategies for the Creative-Active Phase

2: The Fact of Great Yield

            And yet when it comes to creative endeavors, so often we find people going at them from the wrong end. This generally afflicts those who are young and inexperienced – they begin with an ambitious goal, a business, or an invention or a problem they want to solve. This seems to promise money and attention. They then search for ways to reach that goal. There are too many variables that go into success. The more experienced, wiser types, such as Ramachandran, are opportunists. Instead of beginning with some broad goal, they go insearch of the fact of great yield – a bit of empirical evidence that is strange and does not fit the paradigm, and yet is intriguing. This bit of evidence sticks out and grabs their attention, like the elongated  rock. They are not sure of their goal and they do not yet have in mind an application for the fact they have uncovered, but they are open to where it will lead them. Once they dig deeply, they discover something that challenges prevailing conventions and offers endless opportunities for knowledge and application.

            In looking for facts of great yield, you must follow certain guidelines. Although you are beginning within a particular field that you understand deeply, you must not allow your mind to become tethered to this discipline. Instead you must read journals and books from all different fields. Sometimes you will find an interesting anomaly in an unrelated discipline that may have implications for your own. You must keep your mind completely open – no item is too small or unimportant to escape your attention. If an apparent anomaly calls into question your own beliefs or assumptions, so much the better. You must speculate on what it could mean, this speculation guiding your subsequent research but not determining your conclusions. If what you have discovered seems to have profound ramifications, you must pursue it with the utmost intensity. Better to look into ten such facts, with only one yielding a great discovery, than to look into twenty ideas that bring success but have trivial implications. You are the supreme hunter, ever alert, eyes scanning the landscape for the fact that will expose a once-hidden reality, with profound consequences.

5: The Open Field

            Perhaps the greatest impediment to human creativity is the natural decay that sets in over time in any kind of medium or profession. In the sciences or in business, a certain way of thinking or acting that once had success quickly becomes a paradigm, an established procedure. As the years go by, people forget the initial reason for this paradigm and simply follow a lifeless set of techniques. In the arts, someone establishes a style that is new and vibrant, speaking to the particular spirit of the times. It has an edge because it is so different. Soon imitators pop up everywhere. It becomes a fashion, something to conform to, even if the conformity appears to be rebellious and edgy. This can drag on for ten, twenty years; it eventually becomes a cliche, pure style without any real emotion or need. Nothing in culture escaped this deadening dynamic.

6. The High End

            Your project or the problem you are solving should always be connected to something larger – a bigger question, an overarching idea, an inspiring goal. Whenever your work begins to feel stale, you must return to the larger purpose and goal that impelled you in the first place. This bigger idea governs your smaller paths of investigation, and opens up many more such paths for you to look into. By constantly reminding yourself of your purpose and goal that impelled you in the first place. This bigger idea governs your smaller paths of investigation, and opens up many more such paths for you to look into. By constantly reminding yourself of your purpose, you will prevent yourself from fetishizing certain techniques or from becoming overly obsessed with trivial details. In this way you will play into the natural strengths of the human brain, which wants to look for connections on higher and higher levels.

Chapter 6: Fuse the Intuitive with the Rational: Mastery

Strategies for Attaining Mastery

            Master is not a function of genius or talent. It is as function of time and intense focus applied to a particular field of knowledge.